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Film and TV productions across the years |
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1951 - THE WALT DISNEY ANIMATED FILM |
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A character can be drawn by several different artists during the course of making an animated film, so all of the characters have a model sheet which acts as a reference document. This helps the style and proportions of the drawings in each 'cel' to remain constant throughout the film.![]() The legendary Ward Kimball working on the Mad Hatter drawings watched by a relaxed Walt Disney. |
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Note the Alice model sheet at the back of Ward Kimball's desk. It's the one pictured here.![]() |
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| ![]() More artist's signatures on this Alice production drawing. |
and then traced, cleaned up, coloured and used as "key frames", with a less senior artist drawing the in-between frames. Twelve frames are needed for every second of onscreen time. Each frame is photographed twice to provide the 24 frames per second rate needed to simulate natural movement. |
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